Lost Marble Sound Design
‘I love to go with the flow, as long as the flow goes directly to the finish line’ thinks
the Marble, upon starting his first ever marble run. But when has life ever been
a smooth ride?
2024
〰️
2024 〰️
"How does a marble feel...
〰️
...first day of a marble run?"
"How does a marble feel... 〰️ ...first day of a marble run?"
A Small World Made…
“How does a Marble feel, first day of a marble run?"
– Laura Quinn Geyer (Director) on Lost Marble’s whimsical adventure.
Collaborating with Laura and the team on this cinematic project was a pleasure. Despite some team members being globally distributed, Laura’s visionary direction effectively unified the film’s diverse elements.
The sound department’s contributions are exceptional. Harrison J. Wood’s captivating soundtrack and Phill Metcalfe’s remarkable ability to harmonise our sounds resulted in a breathtaking Dolby Atmos mix.
BIG
Sound Design Comment
“In my capacity as a sound designer, I had the privilege of working on one of the most creative projects of my career so far. For example, this involved recording the local electric London buses, and subsequently merging this audio with analogue synth risers to create the inner voice and whirring engine noise.”
- Elijah David Djan
Team & Film Site
Many thanks to Laura Quinn Geyer and the team for this opportunity to bring this tiny, yet huge, soundscape to all kinds of screens in the UK and US.
